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He is currently the bassist for Industrial Metal band Ministry. His bass sound was recognized by the aggressive picked tone he developed with his Chris Squire Signature Rickenbacker 4001CS, which can clearly be heard on Tool's first full-length album, Undertow. Paul D'Amour (born May 12, 1967) is an American musician and the first bass guitarist for Tool. Strings D’Addario Flex- Steels, medium gauge Pedals MXR M-80 DI, Darkglass B3K bass overdrive, Electro-Harmonix POG2, Electro- Harmonix Memory Man I always believe that my parts are more important than the guitar player’s.īass Rickenbacker Chris Squire Signature 4001CS, Ernie Ball Music Man StingRayĪmp Ampeg SVT-CL head, Amped SVT- 810E 8x10 cabinet There’s no reason the bass shouldn’t be right up front. I like to write impactful parts and rock them out. I never have been, and I never want to be the guy who hangs out by the drums and just walks the dog. What drives you to write such in-your-face bass lines? When I listen to my songs, even though they’re vastly different, I feel like there’s a common thread that connects them all no matter what the project is. I keep finding that emotion and following it, and then it keeps building on itself. It comes from wherever it comes from, but I haven’t figured it out yet. I feel like songs write themselves if I stay open and become a channel for creativity. How does your writing style change from project to project? If you could put a grand piano through a Marshall, that’s how I would best describe my sound. I can play through a lot of different basses and amps that are nothing alike, and it will always sound like me. This record had to be done quickly, so I used guitar rigs for the basic sounds a guitar amp can give you a nice tone and some warmth. How did you create your tone this time around? I wanted to add that punchy “Paul D’Amour sound,” so I tried to do that thing, whatever that thing might be. The melodicism was already there, so I wanted the role of my bass to be powerful and make a big impact. I was just trying to find the power in the songs. What inspired your writing for Lesser Key? In the end, I knew leaving was the right decision. I’m not just a bass player I’m a creator, I wanted to have a bigger role, and it just wasn’t happening in that situation. I couldn’t be stuck in that paradigm-it’s too stifling. They’re set up where the bass player does the bass part and the guitar player does the guitar part and so on. I always wanted to do other things, and it felt like I was too much in a box with that band. Their creative process is excruciating and tedious, and I guess I never felt the desire to play a riff 500 times before I can confirm that it’s good that’s why it takes them eight years to write an album. I wish it had been a better vehicle for me to create in, but it just wasn’t. It gave me a lot of confidence to do anything I wanted to do.ĭo you have any regrets abut leaving Tool? All of a sudden, we were playing in front of huge crowds, and we had a ton of success. To go from 0 to 100 miles an hour in the span of a year was incredible. How did your time in Tool affect you as a musician? On the self-titled debut by his new band, Lesser Key, D’Amour is picking up right where he left off: coaxing signature tones from Music Man StingRay and Rickenbacker basses, and channeling elaborate rhythms and dark melodies in the pursuit of ultimate creativity.
#Why was paul d amour kicked out of tool full#
Known solely at the time as the heavy-picking bassist behind powerful songs such as “Sober” and “Prison Sex,” D’Amour immediately began taking on projects that showcased his diverse range as a musician: He played guitar in the psychedelic pop band Lusk, formed a cover band called Replicants, flaunted his multi-instrumentalist chops with his solo project Feersum Ennjin, and composed music for movies and television shows.īut after years of redefining himself and sidestepping his identity as a bassist, the 47-year-old has come full circle. WHEN PAUL D’AMOUR WALKED AWAY FROM TOOL IN 1995, DURING the recording of Ænima, he had one mission: to avoid letting his role in that band define him forever. They are joined by bassist Paul D'Amour and vocalist Maynard James Keenan, who is Carey's neighbour he'd previously been in an industrial/ experimental band called.